STIKKI PEACHES

Stikki Peaches’ is an anonymous street artist who is strongly influenced by pop culture references and street culture. From his beginnings in 2009, his “What If Art Ruled The World?” tagline had every passer-by engaged in thought, while enjoying the uniqueness of his nostalgia-laced street art.

Having had his first international solo show in 2013 in New York and having participated in the Scope Art Show NYC, Art Basel Miami and Urvanity Art Fair in Madrid, Spain, Stikki Peaches now looks forward to his first Euro exhibitions in late 2017 and 2018. His work as also been seen in the urban areas of Paris, New York, Toronto, Los Angeles, Berlin, Stockholm and London.


Frida Kahlo de Rivera , 122 × 122 cm, 2018

Frida Kahlo de Rivera, 122 × 122 cm, 2018

KURAR

Kurar, tombe dans le graffiti dès la fin des années 90. Pendant 10 ans il va peindre, travaillant sur la 3D, le volume, et la couleur.. Au fil du temps et des expériences il va diversifier ses techniques, Graff, Vandale, Pochoir, Collage, pour ce concentrer sur le travail des pochoirs.

Au travers du pochoir et de son travail sur toiles, ce street artist traite des sujets actuels et nous pousse à prendre du recul sur notre vision de la société. Mélangeant univers ancien, et détails contemporain dans ces œuvres Kurar traite avec poésie, humour et provocation, des sujets sensibles comme la guerre, la religion, et la société de consommation.

L’utilisation et la représentation de l’enfance, est un des points récurent et une certaine « marque de fabrique » de Kurar. Il utilise brillamment ce symbole de l’innocence pour contraster avec l’aspect satirique et provocatrice de ces représentations.

Depuis une ascension en 2013, marqué par une exposition personnelle à la galerie Parisienne Onega, le street artist enchaine les expositions personnel et expose dans les galeries du monde entier, New york, Los Angeles, Genève, Dusseldorf, La Reunion, Bruxelles, Berlin, etc..

Entre cynisme et péosie, nostalgie et humour noir, il touche le public par la profondeur et la pertinence de ses messages.

Socilal Distortion I Acrylique on canvas I 130 x 89 cm 

Socilal Distortion I Acrylique on canvas I 130 x 89 cm 

JONTY HURWITZ

“OBLIQUE” AND “CATOPTRIC”: ANAMORPHIC ARTWORKS BY JONTY HURWITZ

Jonty Hurwitz / De Medicis Gallery

The painting The Ambassadors (1533) by Bavaria-born artist Hans Holbein the Younger (c.1497–1543) occupies a special place in the history of Western art. It features Jean de Dinteville (French Ambassador to the court of Henry VIII of England) and Georges de Selve, Bishop of Lavaur (in southern France). Important elements include an Azerbaijanian rug and mathematical instruments like dials and quadrants. The artwork remains most famous, however, for a strange momento mori in the foreground, at the bottom – a human skull – tilted, contracted, stretched. Visible in its correct form only when seen from an oblique point of view. This is an example of “anamorphosis” – a distorted projection of an object that is set right when regarded from a specific perspective or when reflected on another surface.

 

The Ambassadors (1533) by Hans Holbien, Wikimedia Commons

the skull in The Ambassadors.jpg

The skull in The Ambassadors, Wikipedia

It is believed that the practice goes back to Leonardo da Vinci. The Biblioteca Ambrosiana in Milan has a large collection of the Renaissance polymath’s notes. There, on folio 35 of the Codex Atlanticus, are two strangely elongated sketches of a child’s head and an eye. These distorted and hesitant drawings, the first known anamorphoses (c.1485) – along with Holbein’s painting – are the seeds of inspiration for Jonty Hurwitz (born 1969) – a London-based South African artist, engineer and entrepreneur, known for his scientifically inspired works. “Leonardo pushed the boundaries of his time by exploring how the observer’s perception is implicitly linked to the observation,” says Jonty. “My art uses Leonardo’s theories as a starting point.”

A member of the Royal British Society of Sculptors, Jonty creates sculptures of both “Oblique Anamorphosis” and “Catoptric Anamorphosis”. The first requires a new angle of vision and the second, a reflecting surface like a steel cylinder. Jonty is also into nano technology and holds the Guinness World Record for the world’s smallest animal form – “Fragile Giant” (2015), a life-like sculpture of an elephant measuring 0.157mm in height.

Jonty HURWITZ     |    The hand that caught me falling     | 50 x 50 x 50 cm | Bronze, wood & chrome

Jonty HURWITZ | The hand that caught me falling | 50 x 50 x 50 cm | Bronze, wood & chrome