DAVID GERSTEIN / DE MEDICIS GALLERY

ISRAELI ARTIST DISPLAYS CUT-OUT SCULPTURES

David Gerstein / DeMedicis Gallery

Art by Israeli artist David Gerstein 

Art by Italian artist David Gerstein [Photo provided to China Daily]

Art by Italian artist David Gerstein [Photo provided to China Daily]

 

Israeli artist David Gerstein, 73, loves observing small animals, especially butterflies whose beautiful colors and dancing amaze him. He also likes watching crowds of people that make him feel the energies of city life. Although he is not good at sports, he is fascinated with the grace which athletes demonstrate.

He transforms his affection for these things into cut-out sculptures, with series called Butterfly, Sports, Beach and Urban.

The series are now on show at Beijing's Today Art Museum, as part of his China debut exhibition titled Layers, through May 16. His paintings are also on display.

Early in his career, Gerstein was into painting, but gradually focused on sculpture in the 1980s, which he sees as adding a third dimension to his paintings.

For his cut-out sculptures, he cuts out shapes from metal plates, paints on them and layers them.

Describing his show, he says, "The exhibition (in Beijing) is (for me) the most important one in a decade. But it is not a retrospective. That time hasn't yet arrived."

You can find the full article here 

SNIK INTERVIEW / DE MEDICIS GALLERY

SNIK INTERVIEW BY STREET ART UNITED STATES 

by Sami Wakim

Initially inspired by the Graffiti scene, Snik has been working with stencil and spray can for 10 years now. Constantly pushing the boundaries, this artist duo has developed a unique style which is equally captivating on walls as it in on canvas. Staying true to their form, Snik hand cuts up to nine layers at a time, working with different mediums, techniques, paints and varnishes. Regardless of size, the level of detail is insane, and use of colours and forms, inspirational. Showing in Galleries, shows and forums across the globe, they had their inaugural solo show in 2011, and now has a serious following of admirers and collectors worldwide.

Let me first say that I am fascinated about the way you create your art. Although, I don’t really know anything about you, could you explain who you are, where you´re from and how did you get started in the street art scene?
Snik was originally started by myself (nik), back in 2005. I had always been a keen artist, but never really viewed it as something that could get me from place to place doing what I loved. Over the years people have shown an interest, and invited me to places all over the world to paint, which has been incredible. As the years have gone on, I have always tried to go bigger and better with each piece, I feel, constant progression and improvement are the things that help to keep me on my toes. About 4 years ago I met my other half, and we began to paint bigger walls together. Having 2 people on board meant we can cut bigger stencils quicker, and paint larger walls that one person with a stencil couldn’t, so it’s been a huge help to become a duo. Some people don’t know that, we have never really pushed, as I don’t think it matters so much. When you view art you never question how many people, just the nature of it and how it makes you feel.

Do you have a formal education?
We have both been to college, but neither studied Art. It was never helpful for either of us in the direction we were heading.

Your art is multilayered and complex. Could you describe the development process of your artwork?
I think stencil work is a form of OCD. To sit for hours on end, cutting small pieces of card from bigger pieces of card, it’s not a standard method of art, but a more precise and exact craft. The way we try to balance this, is by painting very quickly, and very rough and ready. Every canvas we paint is painted the same way it would be done on the street, drips, smudges, mess and mistakes are all a part of it. The tightness of the stencil is only a balance to the freedom of the painting.

How much does your art affect or influence your everyday life and are there any role models or artists who inspired you?
Everything we do is art related. There isn’t a day that goes by that you don’t read up on a recent paint event, or check out a recent gallery show. That being said, we are very separate in the fact that we live in the countryside, and not a city. We don’t get caught up in a scene as such, but obviously are inspired by just how much incredible art is being produced all around the world right now.

How do you go about creating your street art? How do you choose a street/environment?
Normally we will cut the stencil, then source a spot. It can be a quick thing, or can take a while. Stencils can be restricting in your size and surface you have to work with, but this can also be the challenge to it. Spray paint works on anything, so it’s all down to how you use a stencil, and how you approach the aesthetic of the area.

Has your style developed throughout the years?
I would say so yes. The stencil cutting is a lot more free, and as each new piece is produced, there are new lessons learnt. The use of lighting has always been a big influence in the work, shadows especially effect the final outcome. As mentioned before, the use of the stencil can be restricting, so it’s important for us to work around this, and make the final piece more relaxed and natural, as stencils can sometimes be very stiff and harsh in final appearance.

How do you feel about the role of the Internet and social media in making your work more accessible to the public?
The internet has revolutionized the way people view artwork now, in every sense. Some street pieces only last a day, but once it’s online, it is pretty much there forever. The same goes for any little post we may put about a new stencil, or a test spray. For those who don’t have gallery connections, or good hook ups for walls, it’s a great way to get yourself out there and get noticed. We always enjoy painting street as much as possible, but it’s just not always possible for us to get every single new piece onto a wall straight away, so we get into the studio and produce a work to showcase the new cuts this way instead. But in the back of our minds we always want every piece to eventually make it to a wall.

Which countries have you visited to paint so far and where did you like it best?
We have visited France, Holland, Switzerland, Germany, and Spain. Each one is incredible in its on way, it would be impossible to select a favourite, as every paint trip has so many great memories. The meeting of new people is definitely one of the best points about what we do, and it’s what we enjoy the most.

Is there a message in your art?
maybe there is, maybe there isn’t.

Street art is still considered vandalism, how is it for you to go out and paint in the street? Did you ever have any problems with the law?
When I started in 2005, I used to enjoy going out and doing paste ups, little 1 or 2 layer stencils. It was a fun rush, but of course it created friction with authority, and was never going to end well. As we grew older and developed, the illegal thing lost an interest, mainly because our stencils evolved into such technical works that to rush them in 30 minutes would be a really poor looking final piece, and not the sort of thing we want to produce. It’s really rare that we do a full illegal piece, and even if we do we don’t advertise it, for obvious reasons.

 

What have been your most challenging and rewarding piece of work thus far?
The most challenging piece was the Winged-Fire (pictured above) piece we painted in our home town last year. It was only an 8 layer stencil at around 7 foot tall, but each layer was 5 different colours. So to get the cuts natural, and the blends working took a very long time, and a lot of stress. It helped to push us a lot to progress in the direction we have, so It is definitely one that sticks in our mind.

What do you do when you are not creating art? What are your hobbies?
Dog walking. Wine drinking.

What’s next for you? What shows or projects do you have planned?
We have a big year planned, but you’ll have to keep an eye on our social media for info.

Any words of advice for aspiring new artists?
Don’t stop. Always wear a spray mask.

 

DAVID GERSTEIN / De Medicis Gallery

THE UNIVERSALITY OF DAVID GERSTEIN'S WORKS

David Gerstein / De Medicis Gallery

David Gerstein is an Israeli sculptor, painter and illustrator.  His works are recognized internationally since they can be found all around the world.

JONTY HURWITZ / DE MEDICIS GALLERY

“OBLIQUE” AND “CATOPTRIC”: ANAMORPHIC ARTWORKS BY JONTY HURWITZ

Jonty Hurwitz / De Medicis Gallery

The painting The Ambassadors (1533) by Bavaria-born artist Hans Holbein the Younger (c.1497–1543) occupies a special place in the history of Western art. It features Jean de Dinteville (French Ambassador to the court of Henry VIII of England) and Georges de Selve, Bishop of Lavaur (in southern France). Important elements include an Azerbaijanian rug and mathematical instruments like dials and quadrants. The artwork remains most famous, however, for a strange momento mori in the foreground, at the bottom – a human skull – tilted, contracted, stretched. Visible in its correct form only when seen from an oblique point of view. This is an example of “anamorphosis” – a distorted projection of an object that is set right when regarded from a specific perspective or when reflected on another surface.

 

The Ambassadors (1533) by Hans Holbien, Wikimedia Commons

the skull in The Ambassadors.jpg

The skull in The Ambassadors, Wikipedia

It is believed that the practice goes back to Leonardo da Vinci. The Biblioteca Ambrosiana in Milan has a large collection of the Renaissance polymath’s notes. There, on folio 35 of the Codex Atlanticus, are two strangely elongated sketches of a child’s head and an eye. These distorted and hesitant drawings, the first known anamorphoses (c.1485) – along with Holbein’s painting – are the seeds of inspiration for Jonty Hurwitz (born 1969) – a London-based South African artist, engineer and entrepreneur, known for his scientifically inspired works. “Leonardo pushed the boundaries of his time by exploring how the observer’s perception is implicitly linked to the observation,” says Jonty. “My art uses Leonardo’s theories as a starting point.”

A member of the Royal British Society of Sculptors, Jonty creates sculptures of both “Oblique Anamorphosis” and “Catoptric Anamorphosis”. The first requires a new angle of vision and the second, a reflecting surface like a steel cylinder. Jonty is also into nano technology and holds the Guinness World Record for the world’s smallest animal form – “Fragile Giant” (2015), a life-like sculpture of an elephant measuring 0.157mm in height.

Jonty HURWITZ | The hand that caught me falling | 50 x 50 x 50 cm | Bronze, wood & chrome

Jonty HURWITZ | The hand that caught me falling | 50 x 50 x 50 cm | Bronze, wood & chrome

David Gerstein / De Medicis Gallery

POP ART FOR THE PEOPLE: DAVID GERSTEIN’S HAPPY PALETTE

David Gerstein / De Medicis Gallery

Museums and galleries tend to abide by the “no touch” rule to safeguard the artworks they display. But Israeli contemporary artist David Gerstein encourages a hands-on approach, firmly believing that his creations are for the public and not for private collectors or curators.

“My philosophy is that art should touch life. It shouldn’t be something that you see once a year when you go to a museum,” Gerstein tells ISRAEL21c at his studio in the Bet Shemesh Industrial Zone.

There’s a pop-art feel to the everyday items he depicts in his multilayered wall sculptures, outdoor sculptures, paintings, prints, drawings and designed objects.

David Gerstein’s “Fifth Avenue” wall sculpture

“It’s my personal pop art. I’m not following Andy Warhol but I’m using the same feeling about the colors, about the popular images,” he explains. “It’s about speaking with the audience at eye level. My work is not a riddle. Many times I go to museums and see artworks that are vague. I want people to understand what I mean.”

The subject matter for his paintings and sculptures all comes from scenes in his past. “My memory of my mother riding a bike became the Tour de France wall sculpture,” he explains. “I’m not just inventing images. They’re all based on my memories.”

Gerstein has succeeded in bringing his universal language of playfulness, humor and optimism to the public-at-large in many countries.

“Peloton Wave,” done in 2014, is installed outside an athletic stadium inSinchu, South Korea. Photo courtesy of David Gerstein

His most famous work, an 18.35-meter-high painted steel outdoor sculpture called “Momentum,” is installed in Singapore’s central business district. “It became an icon,” he says.

“Momentum” in Singapore. Photo courtesy of David Gerstein

“My best works are outdoors because it’s in the public domain. I like people to experience it when they’re walking, driving, being part of the public. That gives me the most pleasure,” he says. “It talks with the environment, with the surrounding architecture. It’s my great experience, doing public works.”

Which of his works is his favorite? “My most favorite is the one I’m going to do,” Gerstein replies.“My mind is always thinking about the next creation.”

You can find the full article on the ISRAEL21c's website here

CRAIG ALAN / De Medicis Gallery

PEOPLE AS PIXELS PRODUCE PORTRAITS OF PEOPLE

Craig Alan / DeMedicis Gallery

Audrey Hepburn by Craig Alan

Audrey Hepburn by Craig Alan

American artist Craig Alan creates portraits of Marilyn Monroe, John F. Kennedy the Statue of Liberty and even Audrey Hepburn from Breakfast At Tiffany’s and Paris Hilton, like you’ve never seen them before. That’s because he uses people as pixels.

Of course, he’s not the only one who uses humans as visual pins to generate a mosaic. It happens in North Korea all the time (see image of the Mass Games in Pyongyang – a propaganda-filled synchronized performance done by 100,000 people by photographer Sam Gellman). But there is something about Alan’s work that combines the ability to see close up, and the big picture that feels more artistic and substantive.

Photograph by Sam Gellman from the Mass Games in North Korea

Photograph by Sam Gellman from the Mass Games in North Korea

You can find the full article on the Five Thôt website here

JONTY HURWITZ / De Medicis Gallery

PERSPECTIVES ON FORMS SHAPING MIRRORED SCULPTURES

Jonty Hurwitz / De Medicis Gallery

Finding that line between art and science is the underlying motivator in my art life.” These words belong to London-based sculptor Jonty Hurwitz, who used 3D scanning and the power of π to create stunning anamorphic sculptures that can be seen in cylindrical reflections.Complexity, study and trying stood at the base of these incredible modern sculptures, while perspective and curiosity shaped something out of the ordinary.

Metallic cylinders mirror stretched sculptures whose shapes are only seen from a certain perspective. What seems to be melted copper is showcased in the metal cylinder as a grasping hand in the work called “Rejuvenation”, while another piece reveals a frog in the mirror. Some pieces display pieces that become whole when looked at from a specific vantage point, expressing the need to be in the right place. If you’d like to see one of the pieces, the artist has one on display in the De Medicis Gallery, Place des Vosges.

The full article can be found on the site of The Pursuitist here

Nerone / De Medicis Gallery

LE MUR DE BORDEAUX BY NERONE   

Nerone / De Medicis Gallery

1ère semaine de froid hivernal en ce début d’année 2016, et pourtant le printemps est déjà de retour sur le mur de Bordeaux avec Nerone.

Depuis le 15 Janvier, les fleurs ont envahi la place Jean & Jean Paul Avisseau.
Sur un fond tracé un peu comme un négatif de photo, Nerone a peint chaque pétale avec des couleurs vives pour finir sur un éclatant bouquet de fleurs exotiques.
Juste à côté des 2 flamboyants loups de Spaik, le lieu rayonne littéralement et semble donner du peps à l’ensemble du quartier.

Originaire de la région bordelaise et membre du collectif CoktailNerone a notamment réalisé avec son acolyte Epis un magnifique mur en partenariat avec la mairie de Bégles, dans la banlieue bordelaise, sur la façade du batiment abritant le service Jeune de la ville.
Surnommé Dandy Birds, l’oeuvre représente 2 pies au look baroque, guidées par ce qui semble être une diane chasseresse et un dandy anglais.
Impossible de passer à côté si l’on se balade dans ce quartier..

Egalement présent à la derniere saison de Transfert avec son collectif, Coktail avait choisi le thème de la fête foraine pour investir une partie de l’ancien commissariat Casteja avec une mise en scène ultra vitaminée.

Retouvez l'article ici

Nerone / De Medicis Gallery

STREET ART BY FRENCH ARTIST NERONE

Nerone / De Medicis Gallery

Nerone was inspired by Hip Hop and graffiti culture from age eleven. He spent years fine turning his writing skills before diving into street art. A journey which has taken him around Europe including Shoreditch in East London. The rich colour palette breathes life into any surface Nerone chooses to paint. 

Source : http://londonstreetartdesign.co.uk/street-art-by-french-artist-nerone/

Bruno Catalano / DeMedicis Gallery

LES SCULPTURES INCOMPLÈTES DE BRUNO CATALANO

Bruno Catalano / De Medicis Gallery

Bruno Catalano est un artiste français qui réalise des sculptures d’un genre particulier. Dans sa série des voyageurs, il explore le déracinement, en amputant une certaine partie du corps aux figures qu’il réalise.

Son oeuvre donne tout son sens quand elle est exposée dans un environnement urbain, comme ici à Marseille :

Posées en hauteur, les sculptures ne laissent plus que leur faille béante à contempler, symbole de la partie que laisse derrière lui le voyageur, quittant son pays, sa ville.

Et si vous skiez du côté de Courchevel, vous pourrez également admirer quelques unes de ses œuvres dans la station, près de l'office de tourisme et du forum.

Vous pouvez retrouver cet article dans son intégralité sur le site de TuxBoard ici

Jonty Hurwitz / De Medicis Gallery

THE SKEWED, ANAMORPHIC SCULPTURES AND ENGINEERED ILLUSIONS OF JONTY HURWITZ

Jonty Hurwitz / De Medicis Gallery

Some figurative sculptors carve their artworks from unforgiving stone, while others carefully morph the human form from soft blocks of clay. Artist Jonty Hurwitz begins with over a billion computer calculations before spending months considering how to materialize his warped ideas using perspex, steel, resin, or copper.

Born in Johannesburg in 1969, Hurwitz now lives and works in London where he’s somewhat of a renaissance man, focusing both on his artwork and micro-loan website Wonga which he co-founded in 2007. His anamorphic sculptures rely on scans of objects (hands, faces, frogs) that are then distorted digitally and fabricated, but when placed in front of a cylindrical mirror the projected reflection reveals the original object. Still, other works deal with pixelated or sliced human forms that are only viewable from a single perspective. A scientist at heart, Hurwitz explained to me that his artwork is his way of “expressing calculations visually,” and also allows him to experiment with cutting-edge manufacturing and fabrication technologies. Of the more mind-bending anamorphic pieces, he shares:

For the anamorphic pieces its an algorithmic thing, distorting the original sculptures in 3D space using 2πr or πr3 (cubed). Much of it is mathematical, relying on processing power. There is also a lot of hand manipulation to make it all work properly too as spacial transformation have a subtle sweet spot which can only be found by eye. Generally I will 3D scan my subject in a lab and then work the model using Mathematica or a range of 3D software tools. I think the π factor is really important in these pieces. We all know about this irrational number but the anamorphic pieces really are a distortion of a “normal” sculpture onto an imaginary sphere with its centre at the heart of the cylinder.

You can find the full article here

JEAN-PAUL DONADINI / De Medicis Gallery

MIAMI ART WEEK 2014 : SMEARS, SWIPES, AND STROKES

Jean-Paul Donadini / De Medicis Gallery

Regardless of the movement within contemporary art, process and technique translate to scene and sensation. The following works found across Miami Art Week all invoke sustained strokes, be that caked-on smears stretching across a canvas to petite tip-of-the-brush swipes. Altogether, they demonstrate the power of pressing down with various intensities across a mix of media. The definition of the word line—"a long, narrow mark or band" according to Oxford—contains vast possibilities and these works touch upon the diversity of the word.

Jean Paul Donadini-DeMedicis-gallery. Place Des Vosges. Paris

French artist Jean-Paul Donadini makes the importance of brushstrokes most evident in his work "Brosse Arretee Gris Orange." This mixed media on canvas piece, found at the Modus Art Gallery booth at Scope Art Fair, actually contains the brush used to draw forth the vibrant orange smear at its center. Material, process and tools unite to send a meta message about art, within a rather viscerally striking piece.

You can find the full article here

JONTY HURWITZ / DeMedicis Gallery

OOPS! JONTY HURWITZ CREATES WORLD'S SMALLEST SCULPTURE ONLY FOR IT TO BE ACCIDENTALLY CRUSHED AS IT WAS BEING PHOTOGRAPHED

Jonty Hurwitz / De Medicis Gallery

An artist has created the world's smallest sculpture only for it to be accidentally crushed by a finger while being photographed. 

Jonty Hurwitz's creations are so tiny they can rest on a human hair and are the same size of an ant's head. Having spent months working on the pieces, the 45-year-old from Chichester, West Sussex, took them to a photographer to have them pictured under a microscope. But within minutes his work had been destroyed by the stroke of the lab technician's finger. 

The sculptures are believed to be the smallest representation of the human form ever created by man.  

The sculptures are believed to be the smallest representation of the human form ever created by man.  

'I went off to have the original sculptures photographed so I found a laboratory with an electron microscope and the photographic technology,' said Mr Hurwitz. 

'The technician went to change the orientation and then for the next half an hour we were looking for the piece through the lens. Eventually I noticed there was a fingerprint exactly where the sculpture used to be and I was like "man you have just destroyed the smallest art pieces" ever made - I slightly freaked out.' 

The sculptures are less than 1mm tall and are produced via a process called nano-painting. They are too small to be seen with the naked eye so must be viewed and photographed under a microscope. Mr Hurwitz uses a 3D printing technology to produce them. 

Describing the process on his website, he said: 'The structure is created using a ground-breaking new 3D printing technology and a technique called Multiphoton Lithography. 

The sculptures are believed to be the smallest representation of the human form ever created by man.  

Mr Hurwitz has produced a number of nano sculptures using the same technology though the naked woman above is believed to have been the smallest.

'Ultimately these works are created using the physical phenomenon of two photon absorption. Art, literally created with Quantum Physics. This two photon absorption occurs only at the tiny focal point - basically a tiny 3D pixel (called a Voxel). 

'The sculpture is then moved along fractionally by a computer controlled process and the next pixel is created. Slowly, over hours and hours the entire sculpture is assembled pixel by pixel and layer by layer.'

You can find the full article of the Daily Mail here

Nadal / DeMedicis Gallery

NADAL, L'AUTRE PEINTRE DU NOIR

Nadal / De Medicis Gallery

Le Toulousain André Nadal le dit et le répète : il est le peintre du noir. Et tant pis si Soulages revendique aussi ce label : «En fait, je précise, je suis le peintre du noir et du blanc». Et pour les curieux qui veulent découvrir cet artiste, chantre de deux couleurs, ils peuvent le découvrir jusqu'au 28 février galerie Sakah (7, rue Croix-Baragnon), à Toulouse. Mais pourquoi le noir et le blanc, couleurs qui n'en sont pas ou à l'inverse qui démarrent la palette ? «J'ai commencé la peinture il y a quelques années, explique André Nadal. En 1997, j'ai démarré une série de bleus de Prusse. C'était obsessionnel, je ne travaillais que cela sous forme de graphismes, déjà».

Oeuvre de l'artiste 100 x 100 cm, actuellement en vente dans la galerie DeMedicis

Le public était séduit. Mais André Nadal se rend compte que le bleu percute les autres couleurs et fait pâlir le graphisme. Alors il se tourne vers le noir et blanc : «Des couleurs fortes et intenses».

Au fil des cimaises, on peut découvrir les lignes des immeubles new-yorkais troués de l'univers abstrait des fenêtres. Ou le fouillis blanc et noir de fils et des espaces complètement vides : «Une opposition, selon l'artiste entre la rigueur et la légèreté».

Longtemps dessinateur industriel dans un bureau d'études, André Nadal se lance dans la peinture après un long blocage : «Je détestais ce que je faisais. Les enfants pour la Fête des mères font de plus beaux gribouillis que moi».

C'est sa fille, lors d'un dimanche pluvieux à qui il doit sa démarche : «Il fallait l'occuper, jouer avec elle et pour cela j'ai peint. Et je me suis rendu compte qu'en faisant comme elle, j'acceptais mon travail avec humilité. J'étais sauvé».

Depuis, André Nadal, devenu pour les critiques, «l'architecte du noir» expose un peu partout en Europe et Outre-Atlantique.

Retrouvez l'article complet sur le site de La Dépêche ici


 

Bruno Catalano / DE MEDICIS GALLERY

CES CORPS TROUÉS DE BRUNO CATALANO QUI INVITENT AU VOYAGE

Bruno Catalano / De Medicis Gallery

Le Pavillon M de Marseille accueille sur son parvis d'étranges personnages qui marchent dans les airs, une valise à la main. Ce sont les " Voyageurs" du sculpteur marseillais Bruno Catalano. Ils ont fait une pause pour MP13 jusqu'au 30 septembre, après cette date ils repartiront vers d'autres contrées.

Par Odile Morain

Un "Voyageur" de Bruno Catalano admire la place Bargemon du Pavillon M  © France3 / Culturebox

Un "Voyageur" de Bruno Catalano admire la place Bargemon du Pavillon M

 © France3 / Culturebox

"Les Voyageurs"  de Bruno Catalano sont un peu déchirés comme s'ils avaient laissé une part d'eux-mêmes de l'autre côté. A les voir avancer, comme suspendu par un fil invisible, une valise à la main, ces neuf personnages faits de bronze expriment à la fois la force et la fragilité de l'être humain. La matière compense le vide, la dignité des visages et les corps qui se penchent vers l'avenir invitent le passant de la place Bargemon à une rêverie solitaire. 

Marseille Provence 2013 "Les Voyageurs"  de Bruno Catalano au Pavillon M
Quai du Port 13002 Marseille
Place Villeneuve-Bargemon


BRUNO CATALANO / De Medicis Gallery

BIZARRE STATUES DEPICTING "INVISIBLE" MEN THAT PLAY TRICKS ON THE EYE

Bruno Catalano / De Medicis Gallery

Ever feel like you've forgotten something? These people might.

The amazing sculptures pictured here look like they're missing vital organs. They are work of French artist Bruno Catalano who says the invisible bodies represent a world citizen.

Mr Catalano, 53, is originally from Morocco but a lifetime of travel as a sailor has inspired these quirky pieces of art, which often cause passers-by to do a double-take.

Mr Catalano has been sculpting for 20 years and often works with others in an art foundry when making big sculptures.
 

Now living in Marseille, France, Mr Catalano and his daughter Emilie work to create masterpieces like these.

Made out of bronze, Mr Catalano starts the process by carving the characters from clay - and will then spend a further 15 days working on them.

Mr Catalano said: 'I have travelled a lot and I left Morocco when I was 12 years old. I felt that a part of me was gone and will never come back.

'From years of being a sailor, I was always leaving different countries and places each time and it's a process that we all go through.
 

You can find the full article on The Daily Mail website here

 



 

Craig Alan / De Medicis Gallery

CRAIG ALAN'S FAMOUS FACES IN A CROWD OR HOW INTRICATE ARTWORKS SEE BIG SCREEN STARS RECREATED IN PAINTINGS OF DOZENS OF TINY FIGURES

Craig Alan / De Medicis Gallery

Small people, big star: This portrait of Marilyn Monroe by Atlanta-based artist Craig Alan may look like an aerial photo, but is actually created with dozens of tiny painted figures.

Combining technical skill, creativity and wit, Craig portrays iconic faces, buildings and abstracts through dozens, sometimes hundreds of intricately painted, exquisite figures. Each distinctive piece is created in black and white with a touch of red on some of the more glamorous faces. In their own way, they reflect Craig’s highly recognisable take on life, where it is the small details that work together to create the big picture. 

Craig carefully plans and creates each tiny figure, all which have their own identity and personality which he has thought through to the finest details. In some of his extremely rare originals, he even goes as far as detailing each item of clothing on the individuals. His cast of characters include family members, friends and models, giving his work a uniquely personal touch. Each piece contains a range of 400 to 1,800 people in it depending on the type of work it is, and he spends anywhere from 50 to 150 working hours on one painting.

Now based in Atlanta, Craig was born in California, but his artistic talent began to emerge when his family moved south. His earliest experimentation took the form of street portraiture, an endeavour that helped him perfect his flair for replicating the human figure. He has exhibited his work across the United States and Europe at De Medicis Gallery Paris to great acclaim and is now making a significant impact on the UK market. He has a work of art hanging in the White House in Senator Reed’s office and his art was shown in Scope Miami 2014 “We are all part of something greater than ourselves, and if we work together we could achieve greater balance . . . not in a religious sense but rather a universal sense.”

The full article can be found on the The Daily Mail website here

Bruno Catalano / De Medicis Gallery

THE BEAUTIFULLY IMPERFECT BRONZE SCULPTURES OF BRUNO CATALANO ARE NOT ALL THERE

Bruno Catalano / De Medicis Gallery

French artist Bruno Catalano has created an extraordinary series of eye-catching bronze sculptures called “Les Voyageurs” in Marseille that depict realistic human workers with large parts of their bodies missing.

Ten of the life-size sculptures were presented at the port of Marseille so as to celebrate its position as the 2013 European Capital of Culture.

They are skillful works of art and the missing parts of the sculptures are what make them truly extraordinary and unique as they leave room for the imagination : are they missing something, or is it something that these “voyagers” have simply left behind?

What is especially impressive is that some of the sculptures seem to stand on very little support, giving them a sort of ethereal and surreal appearance. 

The full article can be found on the artist's website here

L'artiste sur bronze Bruno CATALANO est le sculpteur français qui vend le plus des pièces à travers le monde et bien que sa côte explose, lui reste inchangé...